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Fonts Books
Here are some books about fonts:
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By Simon Garfield
Gotham Books
Released: 2012-09-04
Paperback (384 pages)
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A delightfully inquisitive tour that explores the rich history and the subtle powers of fonts.Fonts surround us every day, on street signs and buildings, on movie posters and books, and on just about every product that we buy. But where do fonts come from and why do we need so many? Who is behind the businesslike subtlety of Times New Roman, the cool detachment of Arial, or the maddening lightness of Comic Sans (and the movement to ban it)? Simon Garfield embarks on a mission to answer these questions and more, and reveal what may be the very best and worst fonts in the world. Typefaces are now 560 years old, but we barely knew their names until about twenty years ago, when the pull-down font menus on our first computers made us all the gods of type. Beginning in the early days of Gutenberg and ending with the most adventurous digital fonts, Garfield unravels our age old obsession with the way our words look. Just My Type investigates a range of modern mysteries, including how Helvetica took over the world, what inspires the seemingly ubiquitous use of Trajan on bad movie posters, and what makes a font look presidential, male or female, American, British, German, or Jewish. From the typeface of Beatlemania to the graphic vision of the Obama campaign, fonts can signal a musical revolution or the rise of an American president. This book is a must-read for the design conscious that will forever change the way you look at the printed word. |
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By Sarah Hyndman
Gingko Press Inc.
Paperback (144 pages)
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Take a look at the experiences and associations type evokes. Fonts have different personalities that can create trust or mistrust, give you confidence, make things seem easier to do or make a product taste better. Understand the science behind how fonts influence what you read. Theyre hidden in plain sight, they trigger memories, associations and multi-sensory experiences in your imagination. You may not believe it, but fonts can change the meanings of words right before your very eyes, alter the taste of your food, evoke emotional responses and reveal their users' personalities. Graphic designer Sarah Hyndman specializes in exploring how fonts influence us as type consumers; Why Fonts Matter synthesizes Hyndman's 20 years of experience as graphic designer with her typographic research and the findings of experimental psychologists and neuroscientists. |
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By Tony Seddon
Ivy Press
Released: 2017-09-15
Paperback (160 pages)
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Learn how to turn a doodle into a terrific, fully functional font with this easy-to-follow guide to hand lettering and how to do it. With 30 complete alphabets drawn in a variety of styles by a team of designers and illustrators, you too can learn how to create energetic, funky fonts that seem to jump off the screen, the poster, or the page. With tips and demonstrations on how you can copy or adapt the alphabets to make them your own and sections on how to use your fonts online as well as on paper, this is a do-it-yourself book that will appeal to anyone who has ever begun a hand-lettered project – then wondered why it didn’t have the punch of professional work. Let your inner creativity flow and put your personality into a bespoke font designed by you! |
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By C. Walde
Graff City
Mass Market Paperback
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Claudia Walde, also known as MAD C, presents to us, ''Street Fonts: Graffiti alphabets from around the world''.
This edition features over 150 graffiti artists from all over the world.
Each represented artist has a double page display; on one side the alphabet and their take on it, and on the other side, a brief introduction into the artists work.
- CAN TWO
- HERA
- DARE
- and many more! |
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By Keith Martin & Graham Davis
Brand: Chronicle Books
Paperback (512 pages)
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Product Description:
Finding the perfect font is tricky, and in an increasingly digital age, the options seem endless. This handy volume takes the mystery out of font selection by displaying the entire alphabet and numerals for 1000 unique typefaces, making it easy for designers€”or anyone who works with type€”to find the perfect face for any job. An easy-to-understand icon system organizes hundreds of fonts, making searching and cross-referencing easy. And, an additional feature, color photos offer real-world examples of many of the fonts in action, showing how they translate from screen to final layout. Accessible and thorough, 1000 Fonts is an indispensable tool for novice and expert designers alike. |
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By Dan X. Solo
Dover Publications
Released: 1987-03-01
Paperback (112 pages)
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This treasury of script and cursive fonts offers graphic artists and designers a broad range of type styles that richly convey the elegant intricacies of hand lettering.
Here, in one compact, inexpensive volume compiled by a leading authority on typography are type designs capable of producing a multitude of special effects. Leaf through and you will quickly discover the eye-catching appeal of each typeface: the flowing elegance of Liberty; the sturdy formality of Piranesi Bold Italic; the airy, Art Deco flair of Hannover; the monogram-like quality of Juliet; the dazzle of Boulevard Script; the classical appeal of Virginia Antique. These beautiful designs, and scores more, are reproduced in complete uppercase alphabets. Ninety-two of them include lowercase alphabets as well, and eighty-nine include numerals.
In all, Script and Cursive Alphabets is an invaluable resource of typefaces that will lend a distinctive character and mood to your message. Here in this rich collection of fonts, from Back Script and Virtuoso Bold to Khayyam and Poppl Exquisit, you'll find the letter-perfect way to say it. |
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By Geum-Hee Hong
Laurence King Publishing
Released: 2016-05-10
Hardcover (496 pages)
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Fonts based on handwritten scripts are some of the bestselling typefaces of the font foundries. They bring personality and authenticity to graphic design – whether on business cards and flyers, or in packaging and advertising.
Script Fonts is a visual encyclopedia of over 300 fonts that includes complete alphabets and numerals for each font and a piece of sample text that shows how each typeface works in the context of a paragraph. It is richly illustrated with over 100 examples of the typefaces as used in manuscripts, on posters, in advertising and other graphic design. The book includes elegant Italian and French cursive scripts, English script fonts, expressive marker fonts, brush and swash fonts, deko and freestyle fonts – all illustrated with historical and contemporary examples.
The accompanying CD includes 122 free fonts. |
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By Dan X. Solo
Dover Publications
Released: 1996-12-03
Paperback (112 pages)
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Add a touch of panache and style to a wide variety of graphic projects with the decorative letters in this unusual and practical collection. Typographer Dan X. Solo has compiled 100 different swash letter fonts — typefaces characterized by ornate letters with long tails and flourishes. Included here are: Cantini Casual; Cranston; El Greco; Goudy Cursive; Italian Slab Fancy; Mardi Gras Regular; Raffia Initials; Rousseau Fancy; Allegro Swash; Artcraft; and dozens more.
All fonts include uppercase alphabets; most also contain lowercase letters and numerals. Inexpensive and royalty-free, these alphabets are ideal for use in display ads, on posters, signs, menus — almost any printed communications. |
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By Simon Loxley
Bodleian Library University of Oxford
Hardcover (288 pages)
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Click Here | - Bodleian Library University of Oxford
Product Description:
Fonts are everywhere. You may even have a favorite serif or sans serif. But have you ever wondered who took the bold steps to create it? Behind every great font is a great story, and, in this fascinating cultural history, graphic designer and design writer Simon Loxley covers more than five hundred years in the history of typography—from the oldest printed typeface used in the Gutenberg Bible right up to the present day.
Type is Beautiful traces the history of fifty remarkable fonts. Thoroughly researched and visually exciting, it takes readers through the story of each font’s creation and distinct characteristics, as well as why it succeeded or failed. Some of the fonts were commissioned for major commercial or cultural projects. Edward Johnston’s iconic Johnston Sans, for instance, was created for the London Underground and remained there exclusively until a redesign in the 1980s. Other fonts became culturally significant unintentionally. The designer of the controversial Comic Sans created the typeface to fill the need for a font to fit the speech bubbles for a Microsoft program, never expecting it to become one of the world’s favorite—and most-maligned—fonts. Along the way, Loxley gives readers an unforgettable cast of characters, including Johannes Gutenberg, William Caslon, Nicolas Jenson, Stanley Morison, William Morris, and Thomas Cobden-Sanderson, the English artist and bookbinder who famously “bequeathed” the unique metal type created for his failed Doves Press to the Thames, casting the type into the river to prevent its future use.
Brimming with fascinating facts, Type is Beautiful is a highly informative and entertaining trip through a lesser-known aspect of history that turns out to have major significance for print and design culture. From Blackletter to Baskerville and Bodoni, you will find yourself looking at fonts with a newfound appreciation. |
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By Dan X. Solo
Dover Publications
Released: 1984-07-01
Paperback (112 pages)
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Gothic or black-letter script, practiced by many medieval scribes, was a principal model for printer's type when printing was first invented. Characteristic thick strokes and stress on points and angles give the style a power and dignity that transcends the temporal.
Noted typographer and printing historian Dan X. Solo presents an impressive collection of 100 complete fonts of Old English and Gothic typefaces, derived from the immensely influential black-letter style. Choose from such classic type styles as: Abbey English, Alte Schwabacher, Blackstone, Caxton Initials, Dolbey, Engraver's Old English, Germania, Goudy Medieval, Lautenbach Initials, Munich Fraktur, Old Gothic Initials, Trump Deutsch, and 88 others.
Almost all fonts include complete upper- and lower-case alphabets — many feature numerals and various punctuation marks. Attractive, versatile, and copyright-free, these alphabets are ready for immediate use on stationery, newsletters, posters, signs, greeting cards, and more. In fact, the high cost of setting specialty typefaces ensures that just a one-time use of material in this book will more than repay the cost of the entire volume.
Graphic artists, illustrators, and designers will want to own this money-saving archive of elegant, ready-to-use Old English and Gothic fonts — unsurpassed for forceful, eye-catching appeal.
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